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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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WEENIX, Jan Baptist
Dutch Baroque Era Painter, 1621-ca.1663
Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague. |
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WEENIX, Jan Baptist
Ancient Ruins
Oil on canvas, 80,5 x 68,3 cm
Museum of Fine Arts, Budapest
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WEENIX, Jan Baptist
Ancient Ruins
Oil on canvas
Museum of Fine Arts, Budapest
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WEENIX, Jan Baptist
Dead Partridge
Oil on canvas, 50,6 x 43,5 cm
Mauritshuis, The Hague
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WEENIX, Jan Baptist
The Ford
1647
Oil on canvas, 100 x 131,5 cm
The Hermitage, St. Petersburg
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WEENIX, Jan Baptist
Detail of Ancient Ruins
Oil on canvas
Museum of Fine Arts, Budapest
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WEENIX, Jan Baptist
Dead Partridge
sn02
Undated
Oil on canvas
50.6x43.5cm
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WEENIX, Jan Baptist
Scenery from Ojcow
1844(1844)
Medium oil on canvasboard
Dimensions 42 x 54 cm
cyf
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| WEENIX, Jan Baptist
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Dutch Baroque Era Painter, 1621-ca.1663
Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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